Our year-end festival of brand-new work
PlayGround Festival is the culmination of Fresh Ground Pepper’s PlayGround PlayGroup, a collective of writers and directors who meet monthly and develop new projects over the course of a year. We will present and celebrate their achievements and the work of FGP’s Artist-In-Residence Trevor Salter this December! Stay tuned for details.
85 N. 1st Street
Featuring brand-new work from this year’s Artist-in-Residence and our 2016 PlayGround PlayGroup!
Monday December 12th
THE MAGNIFICENT SEVEN
by Gordon Leary and Julia Meinwald
directed by Nikki Diloreto
by Tori Keenan-Zelt
directed by Ilana Becker
Tuesday December 13th:
BLACK GIRL MAGIC SHOW (PART ONE)
written and directed by nicHi Douglas
by Cat Crowley
directed by Kareem Fahmy
Wednesday December 14th:
by Andrew R. Butler
directed by Jordan Fein
YOU’LL CATCH FLIES
by Ryan Fogarty
directed by Stephen Brackett
Thursday December 15th
THE FGP PLAYGROUND PARTY
A festival-closing, end-of-the-year soiree to celebrate everything you’ve made this year!
with live music, seasonal drinks, and a final performance from 2016 FGP Artist-in-Residence Trevor Salter
We take high rollers, and we take low rollers, but we don’t take no rollers!
2016 FGP PLAYGROUND PLAYGROUP
In collaboration with…
JORDAN FEIN is a Brooklyn based theatre and opera director. Directing credits include Erin Markey’s A Ride On the Irish Cream (Abrons Arts Center), War Lesbian (HarunaLee/Dixon Place),The Dixon Family Album (Williamstown Theatre Festival: Boris Sagal Fellow 2014), Le Nozze di Figaro, The Rake’s Progress, L’Elisir D”Amore (Curtis Opera Theatre), Dialogues of the Carmelites (Opera Philadelphia), Rags Parkland (Ars Nova Ant Fest/Jack), Edibles Inc. (Incubator Arts Project). Jordan was the Associate Director on Rodger and Hammerstein’s Oklahoma! (Bard Summerscape, dir. Daniel Fish) and The Elephant Man (Broadway and The West End). He currently teaches at New York University, Playwrights Horizons Theater School. www.jordanfein.net
CAT CROWLEY is a New York City-based playwright and performer by way of sunny San Diego. As a writer, she is interested in exploring gender roles and the formation of identity, as well as social and environmental justice. Utilizing an absurd, often comedic style, Cat seeks to bend (sometimes break completely) familiar genres, periods, and tropes in order to express a more complex reality living underneath. Her work has been performed/developed at Dixon Place, #serials@TheFlea, The Duplex, The Tank, Judson Church, The Red Room, BookCourt as part of The Eagle and the Wren Reading Series, The 24 Hour Plays: Nationals, Primary Stages/ESPA, Irondale Arts Ensemble, The Breadbox Theatre Co. (California), The Kraine Theater, Bowery Arts and Science, Roulette, Manhattan Repertory Theater, and The Shelterbelt Theater (Nebraska). Her play House of Tomorrow was a semifinalist for the 2015 PlayPenn Playwrights Conference. BFA: Tisch Drama, NYU
NICHI DOUGLAS is a writer, actor, dancer/choreographer and art educator. Some of her favorite performances have occurred at Joe’s Pub, The Bushwick Starr, HERE, and La Mama. She is currently Assistant Choreographing the City Center Encores Festival presentation of Elizabeth Swados’ Tony Award nominated musical Runaways. She and the cast of Political Subversities will make a triumphant return to the stage on Friday night in June and July at The PIT. She is the founder of BK Play! – an innovative art company for kids. She operates with a tremendous amount of gratitude for every day and every opportunity. Her name is pronounced like “Nicky”. BFA, NYU: Tisch; MFA, The New School.
RYAN FOGARTY is the recent recipient of the Robert Chesley Award for Drama. His plays include Beating Off, The Obligation (Magic Time! at Judson), Goldfish Love (Bookshop Workshops selection; semifinalist, Princess Grace Award), and Skin Like Milk (semifinalist, CLMP). His plays have been performed/developed at Second Stage, Labyrinth, The Flea, The Lark, The Tank, DUMBO Arts Festival, and Live-Source. He holds commissions from EST/Sloan and NCTC in San Francisco. He will be a playwright-in-residence at the Helene Wurlitzer Foundation of New Mexico this summer. BFA NYU Tisch.
TORI KEENAN-ZELT writes curiosity-driven plays that chart emotional territory through impossible theatrical worlds. Many of them decide to be comedies. Her work has been developed or presented at FGP, Lark, The O’Neill, The Actors’ Studio, #serials@theflea, Yale Cabaret, Nashville Rep, High Desert, WTF, Pittsburgh Fringe, Cold Basement, and beside unsuspecting Chipotle patrons. Recently, she was an Ingram New Works Playwright, PWC Core Apprentice, Jerome Finalist, Princess Grace Finalist, PoNY Nominee, Kilroys Nominee, and some other things. She is a member of Bastard Playground, Part-Time Box, Propulsion Lab, the Actors Studio PDU, & DG. Originally and proudly from Pittsburgh, she splits time between NYC and a cat who lives in Connecticut. BA, Harvard. MFA, NYU Tisch Asia. www.tk-z.net
In collaboration with…
ILANA BECKER has developed and directed new work at New York Theatre Workshop, Ars Nova, Dixon Place, The Civilians, The Flea, The Lark, 54 Below, The Eugene O’Neill Theater Center, Pittsburgh Fringe, FringeNYC, Columbia University’s MFA Playwriting program, NYU’s MFA Dramatic Writing program, Hunter College, Disney/ASCAP Musical Theatre Workshop, Samuel French Festival, and FullStop Collective, among others. She produced and directed an environmental staging of Waiting for Lefty during the 2011 public employee protests; she co-produced Beer Plays, an evening of short plays paired with craft beers, and Around the Block, an evening of investigative and community-driven original pieces about and performed in five NYC neighborhoods; and she continues to develop Argument Sessions, an ongoing series of immersive events taken from SCOTUS transcripts and woven with collaboratively developed original material. Ilana is a member of The Civilians’ R&D Group, DirectorsLabChicago, Lincoln Center Theater Directors Lab, Bastard Playground, and was a Playwrights Horizons Robert Moss Directing Resident. www.ilanabecker.com
GORDON LEARY is a Cleveland-born, Brooklyn-based bookwriter and lyricist. Musicals include PREGNANCY PACT (2012 Weston Playhouse premiere; 2011 NAMT Festival; 2011 Yale Institute for Music Theatre), I LOVE YOU, ANITA BRYANT (2014 Ars Nova OutLoud Reading Series; 2015 Polyphone Festival, University of the Arts), CHEER WARS (2015 York Theatre Company; 2009 Richard Rodgers Award) and ACROSS THE RIVER (2009 Daegu International Musical Festival; 2013 Seoul Musical Festival.) Current Civilians’ R&D Group participant, former Ars Nova Uncharted writer and Dramatists Guild Fellow. Vassar College, NYU/Tisch Graduate Musical Theatre Writing Program.
In collaboration with…
JULIA MEINWALD‘s musicals with collaborator Gordon Leary include Pregnancy Pact (2012 premiere production at the Weston Playhouse, 2011 NAMT conference and Yale Institute for Musical Theatre selection) and I Love You, Anita Bryant (2015 workshop production at Philadelphia’s UARTS, 2014 OutLoud reading with Ars Nova). They are currently developing a show called Reb + VoDKa + Me as part of the Civilians’ R&D group. Julia was a participant in the New Dramatists Composer Librettist Development Program, a Dramatists Guild fellow, a resident artist with American Lyric Theatre, and an Uncharted writer at Ars Nova. She holds a BA in Music from Yale University and an MFA from NYU’s GMTWP. www.juliameinwald.com
We are excited to have their dramaturgical minds and directorial skills help us get these new projects off the ground!
NIKKI DILORETO is a New York based director and developer of adventurous new plays. Recent projects include Anniversary (Williamstown Theatre Festival), All Hallow’s Eve At the Amarillo Jehovah’s Witness Weekly Grief Group In the Backroom of the Y Just Off the Feeder (UglyRhino 2015, Two Headed Monster 2016), Debbie Does Dallas: The Musical (5th Floor Theatre Company), and a new web series called The Weekend Detectives. As an assistant director, Nikki has worked with Jo Bonney, Daniella Topol, Garry Hynes, Sheryl Kaller, Carey Perloff, and Simon Phillips, among others. She is a member of the Williamstown Directing Corps, an SDC Observer, and an associate member of SDC. She received her BFA from Boston University. nikkidiloreto.com
KAREEM FAHMY is a Canadian-born director and playwright of Egyptian descent. He recently directed the world premiere of Victor Lesniewski’s Couriers and Contrabands (TBG Theatre) and is directing the world premiere of Sevan K. Greene’s This Time at The Sheen Center in May. He was a 2015 Director-in-Residence at The New Museum with their research project X-ID REP. His play The In-Between was presented by Noor Theatre in 2014. He’s worked extensively in new play development with organizations including New York Theatre Workshop, MCC, Second Stage, Soho Rep, New Dramatists, Ensemble Studio Theatre, Sundance Institute Theatre, Partial Comfort Productions, Noor Theatre, and Berkeley Rep. He is an alumnus of the Soho Rep Writer/Director Lab, Lincoln Center Directors Lab, the Van Lier Directing Fellowship, and NTYW’s Emerging Artist Fellowship. Kareem has assisted Tony Award-winners Michael Mayer (The Illusion, Signature Theatre) and John Tiffany (Once, NYTW). In Montreal he directed the Canadian premieres of Suzan-Lori Parks’ Venus and Naomi Iizuka’s Language of Angels. Kareem is a proud member of Rising Circle Theater Collective, a founding member of |the claque|, and is an NYTW Usual Suspect. MFA: Columbia. www.KareemFahmy.com